Oil Painting of a Rose in Cut Glass Vase

"Red Rose in Cut Glass"

9" x 12", Oil on Linen Panel

Time for a little alla prima piece. While polished realist pieces offer a challenge in terms of bringing a painting to convincing finish, alla prima painting (painting in one sitting), offers a freshness and immediacy that's hard to accomplish over several sittings. I try to keep my hand in alla prima painting because I learn more about color and paint handling by doing them. It also allows me to complete more paintings in a given amount of time, thereby increasing my practice. While viewing my two kinds of work may be sometimes confusing to a patron, I think that my personal handwriting manages to show through in both. What can I say. I have Gemini on my midhaven. 

Nude Study

"Study of Jen"

Oil on Linen

When working toward a more polished piece, I fall back on training and work out a couple of color studies first.  I wanted to get a general sense of the skin tones for this painting of a nude, and so turned out this study today. I'll more than likely do a couple of more of just her head and then a few of her feet before I'm satisfied that I have the color where I want it. But I liked the way this one came out today so I'm posting it. 

Painting of Asparagus

"The Great Escape"

Oil on Linen Board, 6" x 8"

Painting asparagus proved to be more of a challenge than I thought they would be. I wanted to get detailed enough to get the little devils to look like themselves, but not too detailed. As it was, a painting that I intended to spend only a couple of hours on, turned into a five day fiasco. Now, you ask, "what possibly could have taken her so long to do?" Well, actually, the painting time wasn't all that much. But because of numerous interruptions and emergencies, I ended up having to abandon the piece time after time while the asparagus continued to wither on the stand. One of the drawbacks of painting food from life is that you have to get the little devils done in a day. These actually started to grow and twist. One of them actually grew about eight inches long; right off the corner of the painting! One of the rubber bands broke (still don't know where it went) and they started turning a bit orangey brown. Definitely not the painting I had in mind. I think the title fits. Not only did one of the asparagus escape it's confines, I finally finished and escaped the studio and all the asparagus escaped getting eaten. 

Oil Painting of Begonias in Cool Light

"In Cool Light"6" x 8", Oil on Linen, Board Mounted

White Begonias are fun to paint. There are so many petals on them. White has its own itinerant challenges in that the shadows become vague and difficult to read. However, that gives the artist a little more license. As every color on the canvas is relative to every other, this might apply to any subject. But white invites you to tint in subtle way. I found yellow, pink and violet tones in these which made the cold of the white in north light, just a hint warmer and the shadows, just a note cooler. I want to try them again, but change the relationships a bit. Hmm. Blue shadows? That would be different for me.

In case you haven't noticed, ahem.  I've been doing a bit of alla prima work. Quite different from my more polished work, this white begonia floral, was done wet in wet in a single sitting. 

You can visit the auction on Daily Paintworks by clicking here.

A Measure of Success

"Just a Little Tin"

Oil on Board, 5" x 7"

Well, this was fun.  This started out to be a small exercise in value and temperature - my favorite subject for exploration, and ended up taking more than a few hours to get right. Still, it was a lot of fun and the results were worth it. What's really surprising to a lot of my students, though, is that it took me as long as it did. They've seen me whip out larger pieces in half the time. But these days I'm taking a bit more time with my work in tweaking things.

I think the lesson here is that we are our own worst or hardest critic. I'd like to think that I'm learning to be a hard critic of my own work. Sure I can find a lot wrong with my work, but more importantly, I'm better able to answer the question; "did I achieved what I was after?" Starting a painting without a concept in mind is a lot like taking a road trip without a map. Sure, you may get to a lot of interesting places, but you won't necessarily get anywhere you started out wanting to go. So these days, before sitting down to paint even a small thing like this little ditty, I try to have a clear goal in mind. That way, I can answer the question, "was the trip worth the goal?" If I've actually learned what I was after to find out, then even if the painting is a dud, I've been a success. 

Impressionist Painting of Dogwood Flowers, 8" x 10", Oil on Canvas

"Dazzle"




It's really been a long while since I have found the time to indulge in a small floral. I'm a little rusty but once things got moving, the flowers flowed off my brush. I chose these Dogwoods because I enjoy the crisp white blooms that stand out against a darker background. I put in the yellow tablecloth to brighten things up a bit. With the Seqim Arts Studio Tour coming up in July, I have to start getting things framed and some new work complted. I've targeted Saturday afternoon for that task and hope to put out some new landscapes as well before the awaited date. I'm keeping to small formats for these, but framing them with wide mats and thin gold frames. They look spiffy.

As we get closer to the date, I'll start posting work that will be exclusive to the show and also links to maps and guides for the tour. The studio tour is being held during the Sequim Lavendar Festival. It's a huge event and we have all kinds of wonderful things happening from wine tasting to Jazz in the Alley scheduled for the long weekend. Anyone interested should contact the Sequim Chamber of Commerce.

Happy Holidays and Happy New Year

It's Christmas Eve and I'm scurrying about trying to get ready to visit with friends this evening, attend church (yes - I'm Jewish but my husband is Baptist and our friends are all a mix!) and then host a small gathering tomorrow. I'd like to take this opportunity from my hectic schedule to wish all of you a very merry Christmas - Happy Chaunuka and a healthy and more prosperous New Year. As always, we hold in our hearts and prayers the many men and women who are serving our country both here and abroad. My heartfelt thanks to all of you for sharing in this journey I enbarked on some three years ago. I'm so happy to share it with you all.

Oil Painting of White Orchids and Red Tapestry, 13" x 21.5", Oil on Unstretched Canvas

"Balance"
I've been meaning to do a wall hanging for some time. A recent trip to Korea gave me the nudge I needed to get started. I chose some unstretched canvas for the job and then got busy. This painting is not yet for sale as I need to add the fabric and tassels that will complete it as a wall hanging. To see how this painting was done, to www.musensbysusan.blogspot.com and follow the links.

Oil Painting of Peonies and Lace Tablecloth with fruit, 21" x 24", Oil on Panel

"Peonies and Old English Lace"
This painting is available. Email me for pricing and information.

I've been working on this piece for some time but because of time constraints and an impossible schedule, I'm only getting around to publishing it today.

As you've no doubt noticed, I'm not publishing very much at all these days. School and teaching have me completely tied up and then with only four days left in the week, I'm only getting to paint what I please about one or two days a week. Hence, no time for daily painting. While I mourn the loss of visibility and, obviously sales, I'm truly flourishing in the academic environment. I just love attending Georgetown Atelier and teaching has become more exciting and rewarding for me as a result.

I'll be renaming this blog to something more appropriate soon and am considering withdrawing from DailyPainters.com unless I can find the time to publish more often. I hope, despite that, that you will opt to still receive my blog posts. I have truly loved doing business and sharing my work with all of you and hope to someday be able to give you more paintings on a regular basis. However, school is a long time committment for me and as I wish to open an atelier of my own some day, this is an opportunity I must take advantage of while I still can do so.
I still intend to publish to the blog smaller pieces for occasional sale and pastels as they become available. As I am required to produce for the Blue Whole Gallery in Sequim, I will still be posting a few times a month.

Landscape Painting of Meadow and Stream at Sunrise, Unframed Image 5" x 7"

"Landscape Variation No. 2"

Available Framed or Unframed

Unframed no Matt $45.00 Unframed with Matt $50.00 Framed with Matt $75.00

Here's the second variation on the landscape theme I've been playing with. This is also available with three options - framed with matt, unframed with a matt, unframed with no matt.

For those of you who have wanted to purchase a pastel but have been concerned about the piece being ruined or smeared before you could frame it, this is a good opportunity to purchase a pastel without worry. The small frame fully protects the piece under glass and it's framed size of 8" x 10" is great for hanging in small out of the way places which won't accommodate a larger piece.

Market Scene of Fish Dealer, Oil on Canvas, 8.25" x 9.5" Inches

"Always fresh!"
Sold

A collector recently asked me to paint a piece to go with another she had purchased from me. It's been awhile since I painted scenes from my Mediterranean trip last year so I really enjoyed doing this little piece. Hope she likes it.

Pastel Painting of Duck a Bush Salt Flats, 22 1/2" x 10"

Mattina Tranquilla"
SOLD

On a recent return trip from Olympia, WA, my husband stopped the car at the Duck a Bush river so that I could take pictures of the salt flats. This area always intrigues me but unfortunately I never seem to be able to get there when the light is right. This time we were there in late morning. Not the best light but I made do. I improvised a bit on the color but I think this pretty much captures the moment. I may do an oil on this next.

Oil Painting of Magnolia Spray, 11" x 14", Oil on Panel

"Magnolia Spray"






I've recently been introduced to Facebook. Ok...I'm a little behind there. But then, not everyone blogs either. Anyway, as a result, I hooked up with a friend from my teen camp days and she commissioned a small painting. My friend didn't want a vase in this floral, however; she requested instead only a spray. So here it is. Hope she likes it. To see how this painting was done, see a step by step demonstration with pictures and explanation at www.musensbysusan.blogspot.com.

Painting Study of a Brass Pitcher, 9" x 12"

The past few weeks have been filled with parties, visiting guests, summer shows, studio tours and teaching. I've hardly had time to work at actually painting anything. But here's a study of a brass pitcher I whipped out during class. I'm just finishing up a landscape and hope to get that up on the site soon. Sorry for the absence. I live with guilt these days over not getting enough done. Yipes...I still have a commission to start. Sorry Arlene!

Nude Figure Study, 9" x 12" Oil on Panel

"Contrapasto"

I've been pretty busy getting ready for a three day studio tour. The Sequim Arts Third Annual Open Studio Tour takes place this year during the Lavender Festival on July 17th, 18th, and 19th. As most of you know, I have a new studio and so this was a good opportunity to show it off a bit. I have a bunch of studies that I did for school just before the summer break and I'll be showing some of them this week as a way of filling space. I can't actually get back to the easel until after the tour. Thanks for staying tuned.

Lilancs and Pears Oil Painting, 8" x 10" Oil on Canvas

SOLD

Time has been pretty tight lately as I gear up for the upcoming Sequim Arts Studio Tour. I'm number 11 on this year's tour. In addition, because I'm a contributing author/editor for www.sequim-news.com which is a local online newspaper, I've been writing a series of articles on all the particpating artists - an endeavor that is very time consuming. Check them out on the "arts" page or today's article about Rudy Bauer that's on the front page! Anyway, I'm a busy girl. I stole some time to get into the studio today and here's what I came up with.
I had no difficulty in photographing this canvas. Last week I reprimed a host of them with Ganblin's Oil Primer. This great stuff fills in the interstices on the canvas and gives a nice smooth finish. That's the kind of finish I prefer and it's much easier to photograph. Hope you like it.

Watercolor of Yellow Roses, 11" x 14" image, matted to 16" x 20"

"Playing with Roses"
SOLD


Just got to playing the other day. Not really wanting to put out my full palette of oils, I reached for a jar of water and splashed some watercolor around. Then I thought, "Hmm, this could use some pastel". So I dug those out too. All in all just a dipsy doodle day. Here's what came of an hour of splash.
This painting come matted in a 16" x 20" matt and ready to frame.

Nude Figure Study, 9" x 12" Oil on Panel

We've been working on temperature studies in class this month. This piece, although, rough, was done on Tuesday. While not completely accurate, I'm pleased (and so was the master) with the overall temperature accuracy. Unfortunately, I got stuck at the end of the semi-circle around her and therefore had to cope with a side view. Not too interesting and static as far as poses go. I hope to make these small studies more pleasing to the eye as well as accurate as time goes by. While I've done many figure studies on this blog, only a few have been from life. The rest have come from photos which I bring up on my laptop because the lighting is more accurate that way. This is much more difficult as I'm racing against time and the hues are more elusive. Some day I hope to be able to afford models for long poses over a few days.

Sunset on the Hamma Hamma Salt Marshes, 5" x 7", Oil on Panel

"Solitude"
SOLD






I've been forced to take a five hour drive home from my Tuesday Atelier class in Seattle due to the temporary closing of the Hood Canal Bridge. This usually brings me to the Hamma Hamma River and the adjacent salt marshes about sunset (we have long days here in Washington now). I haven't had my camera with me but I've pulled off the road and tried to take some mental notes that I could translate into a small study. Here's my first one. The water looks a bit greener here than in the actual painting. I guess I need some work with photoshop.

Lilacs in the Light, Oil on Canvas Panel, 5" x 7"

SOLD


On one of my morning walks I spotted Lilacs growing beside the Hwy. I believe this empty lot was once a front yard although the remnants of the home are no longer visible, there are lots of flowers that were once part of someone's garden.

I ran out of hardboard which is my preferred painting support and so this is on canvas panel. The pesky facets of the canvas make for difficult photographing. This is actually a lot clearer than it appears. Remember the camera is an extreme close up. Additionally, because I have to shoot in low light, the photo gets a bit of over exposure that is difficult to correct for on photoshop. All in all, however, it's not too bad a photo job. Enjoy.