I'm a recent graduate of Georgetown Atelier in Seattle, Washington and have just started to compile a new body of work. Much of what you see here prior to 2011 is older work and hopefully you'll note an improvement. Because I paint both in Alla Prima (fast small works) and polished realism, both categories are listed as tabs beneath this section. Stay tuned. I'm a work in progress.
"In Cool Light"6" x 8", Oil on Linen, Board Mounted
White Begonias are fun to paint. There are so many petals on them. White has its own itinerant challenges in that the shadows become vague and difficult to read. However, that gives the artist a little more license. As every color on the canvas is relative to every other, this might apply to any subject. But white invites you to tint in subtle way. I found yellow, pink and violet tones in these which made the cold of the white in north light, just a hint warmer and the shadows, just a note cooler. I want to try them again, but change the relationships a bit. Hmm. Blue shadows? That would be different for me. In case you haven't noticed, ahem. I've been doing a bit of alla prima work. Quite different from my more polished work, this white begonia floral, was done wet in wet in a single sitting.
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