By now you probably think I've lost my mind. This is a pastel done of the same figure I've been working with. I've changed the colors quite a bit here and played around in layering and glazing some pastels. I had some 2 ply cotton rag sitting around the studio and although it's not generally used for pastels, I realy like it because it allows me to layer lightly and glaze one color over the next. Look at the cloth and the bottom of the painting, for instance. See all those lovely colors playing off each other? You really can't get that with a lot of the newer pastel papers on the market. They're very good for handling a lot of the medium, but they don't allow you to put light layers on like this. I'm beginning to see the merit of working in a series because it actually has been giving me quite a few ideas for other works I'd like to try.
I'm a recent graduate of Georgetown Atelier in Seattle, Washington and have just started to compile a new body of work. Much of what you see here prior to 2022 is older work and hopefully you'll note an improvement. Because I paint both in Contemporary Alla Prima (fast small and larger works) and polished realism, both categories are listed as tabs beneath this section. Stay tuned. I'm a work in progress.
Monday, February 23, 2009
Draped Reclining Nude Pastel Painting, 13" x 11"
"Draped"
By now you probably think I've lost my mind. This is a pastel done of the same figure I've been working with. I've changed the colors quite a bit here and played around in layering and glazing some pastels. I had some 2 ply cotton rag sitting around the studio and although it's not generally used for pastels, I realy like it because it allows me to layer lightly and glaze one color over the next. Look at the cloth and the bottom of the painting, for instance. See all those lovely colors playing off each other? You really can't get that with a lot of the newer pastel papers on the market. They're very good for handling a lot of the medium, but they don't allow you to put light layers on like this. I'm beginning to see the merit of working in a series because it actually has been giving me quite a few ideas for other works I'd like to try.
By now you probably think I've lost my mind. This is a pastel done of the same figure I've been working with. I've changed the colors quite a bit here and played around in layering and glazing some pastels. I had some 2 ply cotton rag sitting around the studio and although it's not generally used for pastels, I realy like it because it allows me to layer lightly and glaze one color over the next. Look at the cloth and the bottom of the painting, for instance. See all those lovely colors playing off each other? You really can't get that with a lot of the newer pastel papers on the market. They're very good for handling a lot of the medium, but they don't allow you to put light layers on like this. I'm beginning to see the merit of working in a series because it actually has been giving me quite a few ideas for other works I'd like to try.
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