I'm a recent graduate of Georgetown Atelier in Seattle, Washington and have just started to compile a new body of work. Much of what you see here prior to 2011 is older work and hopefully you'll note an improvement. Because I paint both in Alla Prima (fast small works) and polished realism, both categories are listed as tabs beneath this section. Stay tuned. I'm a work in progress.
I've been heavily involved heading up a local event here in Port Angeles for the last five months. The event, "Paint the Peninsula", was a plein air competition which lasted five days and included a barbecue kickoff, a wonderful cocktail party at Camaraderie Winery and a Gala black tie event and show, all culminating in a Quick Draw competition and mini festival. That, in turn, was followed by a three day workshop offered by Ned Mueller, our judge. It was grueling as I not only helped to run and coordinate the event, but hosted two house guests and participated as well. Twenty years ago, this wouldn't have been a problem. Currently with a fresh back injury, it was like running two marathons back to back. I'm done. Stick a fork in me.
Anyway, with all this work on my plate (no pun intended), this weekend was the first time in a few months I've actually had to get in my studio, turn out the overhead lights and just paint. No phone ringing, no other work to do and no students. Just me and the set up and the quiet. This photo doesn't begin to capture the light in the painting. It has a bit more contrast in this photo too than is in the painting which I've tried to fix on Photoshop, but then I lose other stuff. Darn. The camera is still new to me and I'm a poor student of photography. Well, I'm going to have to cave and take some lessons. I did better with my Canon, but the Nikon is a little trickier.
I work under north light from a large cathedral style window which brings in soft, cool light. It's more noticeable when you see it live, but there's some broken orangey color in the background peeking through that helps to give the painting an airy feeling. Still working toward achieving that special quality of light that evokes a soft moodiness. I'm coming more and more to the point where I copy less of what I see and add more to the painting of what it needs. I'd like to get to that place with portraits as well. All good things in their time.