I'm a recent graduate of Georgetown Atelier in Seattle, Washington and have just started to compile a new body of work. Much of what you see here prior to 2022 is older work and hopefully you'll note an improvement. Because I paint both in Contemporary Alla Prima (fast small and larger works) and polished realism, both categories are listed as tabs beneath this section. Stay tuned. I'm a work in progress.
Sunday, July 31, 2011
Venus de Milo
One of the projects we had to do at school before starting on Limited Palette, was a cast study of warm and cool light. At first glance, this appears to be a black and white painting, but if you look closer, you will see warm orangy tones in it. Done with an extremely limited palette of burnt sienna, Ultramarine Blue, Naples Yellow and flake white (no black), my job was to paint as accurately as I could, the values and the relative temperature changes I saw in the cast. The project took about a month or two and marked the end of my mostly monochromatic months at the atelier.
Labels:
cast painting,
figure painting,
oil painting,
original,
realist,
susan martin spar
Tuesday, July 26, 2011
Still Life Study of Chinese Tea Pot and Rose Hips, 12" x 11"
It's been a very busy and hectic year. While I've been a full time artist for years, sometimes working 60 hour weeks, I never dreamed that the top item on my bucket list could be more stressful than that. Attending an atelier is both an exhillerating and exhausting journey. I attend four days a week (day five I have to teach at my own studio so I have enough money to attend school the other four). Because I live so far from Seattle where Georgetown Atelier is located, I have to spend those three nights with a friend and a relative. Then I drive the three hours home late on Thursday after class.
I'm on a brief vacation now and I have quite a few pieces I'll be posting over the coming weeks to show off a bit. This small piece which is only about 11" x 12" is a small color study for a larger still life I'm still working on at school. We generally do these as they help to iron out problems which occur during the painting process before we actually get to them. Some areas didn't come out well in the photo. Another student took them at the atelier during the past two weeks and forwarded this to me so I can't account for the the faded area in the lower right hand corner. But otherwise, it's a good representation. The edges need a bit of work and you can tell it's not a finished painting in and of itself, but over all, I'm pretty happy with it. The large piece is proving to be quite a challenge. I'll post it when it's done and perhaps share some of it's development along the way.
Labels:
Asian Still Life,
Asian subject,
floral,
flower painting,
realist,
Tea Pot,
teapot painting
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