SOLD
Angela steals the show and the light in the morning. I was striving here to capture her mood and enhance it with the light. I'm happy with the skin tones which are warm and the over all feel of the composition.
I'm a recent graduate of Georgetown Atelier in Seattle, Washington and have just started to compile a new body of work. Much of what you see here prior to 2022 is older work and hopefully you'll note an improvement. Because I paint both in Contemporary Alla Prima (fast small and larger works) and polished realism, both categories are listed as tabs beneath this section. Stay tuned. I'm a work in progress.
This painting is done on 1/4" thick 9" x 12" hard panel and finished with a light varnish. The Lilies are painted thickly in the lights with generous paint. I especially like the composition here which has good strong negative shapes. I'm quite satisfied with the way that the flowers fade into the shadows.
White always presents a challenge for artists. This is true especially of flowers which have many nuances in them. In chiaroscuro painting, the emphasis is on tonal quality and not so much on color. However, the trick is to discover the color in terms of temperature change and emphasize it just enough to bring life to the shadows and make the whites stand out against each other without falling into mud.
It's been awhile since I painted in cool light. I generally use a warm incadescent light that I can dim or brighten according to the needs of the painting. But cool natural north light is always preferable. My studio sometimes makes this difficult. But today I moved things around a bit and this painting of roses in cool light emerged. I love roses, as do most people, but always find them a challenge to paint. Think I did OK here. I especially like the way the warm copper vase sets off the warm tones in the roses.
This pitcher and bowl have been hanging around my dining room for many years and I only now decided to paint them. I was aiming for a soft glowing look here and trying to pick up the color I saw reflected in the shadows. I'm quite happy with the outcome.
Orchids, despite popular belief, are quite hardy. It goes without saying that they are beautiful as well. I like painting in unusual sizes. These orchids seemed to fill the space nicely. This sort of composition always intrigues me. I like designs where the object or subjects flows off the table. I may try this again from an even more severe perspective. I somehow picture a piece like this in a niche or on a narrow wall.
I've painted many stretches of the Discovery Trail, a long walking path that winds through the northern stretch of the Olympic Peninsula in Washington. This particular scene comes from one of my daily walks on the trail. This piece is in pastel – which for many years was my primary medium. I’ve been doing mostly oils for the past year to improve and stretch. It was nice to push a little pastel color around a bit today.
This red vase is a favorite of mine. Combined with the pink Peonies, it seemed to just pop off my still life stand. I think I caught the roundness of it pretty well. I've been struggling with that lately. It has a lovely romantic feel to it and the flowers have lots of thick paint on them. I was going to paint a landscape today but that red vase kept calling to me from the shelf. I’m having a lot of fun with color these days. Sort of change from my strict tonalist approach
.Red pears are one of the loveliest things about fall. Not only are they delicious, but their jewel like colors always draw my eyes. I tried here to capture that color. I especially love the warm reddish glow on the shadow side. That color effect is so elusive. But that's what keeps me coming back to paint them again and again. The flowers here are a nice touch but they are just supporting cast for the main players. Hope you enjoy. Thanks for looking.
Emily is the granddaughter of a friend. She loves the camera. We took her to a local lavender farm last summer and I snapped a picture as she ran along the row of lavender. I think her feet never touched the ground. I did this in pastel because nothing matches the medium for intensity of color.