SOLD
See how this painting was done.

Looks like this is available after all.
I'm a recent graduate of Georgetown Atelier in Seattle, Washington and have just started to compile a new body of work. Much of what you see here prior to 2011 is older work and hopefully you'll note an improvement. Stay tuned for more improvement. I'm a work in progress.

Looks like this is available after all.

My painting buddy recently told me that my backgrounds are too dark. Well, I didn't change my background here, (sorry buddy) but I brightened up things in the foreground a bit. I think it was the crummy weather. It snowed!!! Agh! So I brought out some bright color to cheer myself up. Lots of pretty thick paint here. My palette was a few hours old so the paint thickened and I didn't use any medium in the paint. I actually carved the whole thing. Enjoy.

March. Wish it would just march right out of here. Oh well. Ultimately, I'm an optimist - you have to be in this line of work. So here's a touch of spring to cheer you and warm your day.

There are just some days when I can go into the studio and it's just a day job. But on other days, if I show up, the magic happens. Today was just such a day. I loaded the palette with lots of juicy paint and the stuff just flowed off of my brush. Perhaps the mostly painterly piece I done in awhile, it's now my most recent favorite. There's lots of generous paint on the blooms and the lemons are just luscious. I didn't bother waiting to glazing the vase, instead I just let the paint sculpt it today.
Enjoy.
Yellow and Purple/Violet are compliments on the colorwheel. That means that they enhance one another when placed side by side. If mixed together, they create a lovely gray. So Hyacinth were the ticket for this piece. Click here afternoon tomorrow to get a demo/lesson on how this painting was created. Thanks for looking.

With Easter, Spring, and Passover just around the corner, I felt a painting that encompassed the symbolism of this season was called for. The whole season of spring and it's holidays makes me think of rebirth, freedom and celebration of life.
There's a few symbols in this painting. Some obvious, some not. See if you can find a couple. I used some cool colors in this painting to offset the beautiful green leaves and red tones in the fruit and flower at the base. Even the color of the cloth was chosen carefully. It has meaning too.
To see how this painting was done, click on the link below after 8:30 PM tonight.

As you can imagine, a still life painter must ave a lot of nicknacks and "stuff" hanging around the studio or house. I often get bored with the things on hand and start looking about for standins. My walking buddy returned from her southern sojourn and the little brought this beautiful little Le Creuset pitcher back for me. I absolutely love it and it has quickly become my favorite thing.
I love it's rich yellow color and the way that the bright yellow moves into an orangey yellow toward the bottom. In this painting, I wanted to make the pitcher the cetral player and not have it upstaged by the flowers. I think it pulled it off. Or maybe the pitcher did all by itself. To see how this painting was done, click here to visit http://www.musensbysusan.blogspot.com/.